Taiga was born in Kyoto. His father worked at a silver mint but died when Taiga was three. Somehow, his widowed mother managed to afford good teachers in all the classical Japanese and Chinese disciplines. At the age of six, he began receiving instruction in calligraphy at the Mampuku-ji Zen temple, a place with which he would have strong connections the rest of his life. By the age of fourteen, Taiga was a professional artist and distinguished calligrapher.
Taiga is most renowned for his landscape painting, and for being one of the leading painters of the Japanese bunjin (literati) “school.” The literati painters, through their landscapes, expressed the simple pleasures of communing with nature. Like their Chinese counterparts, the bunjin painters often accompanied their paintings with poems of their own inspiration. Certainly, one of the most influential of Japanese poets at the time was the ninth century Ono no Komachi.
Ono no Komachi is considered one of the Immortals of Poetry as early as the early 1000s CE, which is estimated to have been only a couple hundred years after her death. She is widely considered to be one of the first major women poets in the history of the world, and her poetry was widely quoted in Japanese literature. During the Edo period (1615–1867), it was fashionable for great beauties to have themselves immortalized in Ukiyo-e prints as incarnations of the poet.
All of Ono no Komachi’s poems are in the five-line tanka form, almost the only pattern used in Japanese poetry until the haiku became established 800 years later, by dropping the last two lines of the tanka. This scroll is written in Japanese cursive script called sosho. The poem reads:
Was it that I fell asleep
Longing for him
That he appeared?
Had I known it was a dream
I should not have awakened.
Other examples of Japanese calligraphy: