The political cartoon evolved during the mid- to late-1700s
in Western Europe, and quickly spread to America during the American Revolution
(1775–1787). It was used for a variety of reasons: to mock the entrenched
aristocracies of Western Europe, to parody fashion and social trends in rather
cruel manners, and to address social problems in a humorous manner (although
there was always a hint at criticism of government). It is generally
acknowledged that the heyday of British satirical art began with William Hogarth in the mid-1700s and ended in
the mid-1830s when Victoria took the throne with her stifling morality (she
would not allow women in her court to wear hoop skirts because the ankles
showed when they tipped). We see a much longer life for the genre in France in
the work of artists such as Honoré
Daumier (1808–1879).
This cartoon by William Heath
falls into the “social problems” category. By the 1830s, London had one of its
first major outbreaks of cholera due to the dumping of sewage (i.e. garbage,
chamber pots, etc) into the Thames River. Typical of politicians, the British
parliament did not act on sewer construction until 1858, the year of the “Great
Stink” (when the stench of Thames water reached their noses in the Parliament
building), and they hired architect Joseph
Bazalgette (1819–1891) to design 5 major sewers to “save” London. Cholera
was also a major problem in the US through the 1870s.
This image shows a London matron examining Thames water
through (presumably) a microscope. An Anglican London cleric declared that “He who drinks a tumbler of London Water has
literally in his stomach more animated beings than there are Men, Women and
Children on the face of the Globe.” Thus, monster SOUP.
William Heath’s training is not known. Until 1820 he
specialized in satirical prints of military subjects. After that he turned
almost exclusively to satirical prints about society and politics. Some of the
most humorous subjects of manners, morals, and fashion were etched personally
by Heath.
Other political cartoonists from this period:
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| The Dying Patient, or, The Doctor’s Last Fee, 1786. Aquatint, 24 x 29 cm. © Philadelphia Museum of Art. (PMA-564) |
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| Canvassing for Votes, 1757. Engraving, 43 x 56 cm. © Philadelphia Museum of Art. (PMA-2013) |
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| Monstrocities, 1822. Hand-colored etching, ca. 24.8 x 29.6 cm. © Worcester Art Museum, Worcester, MA. (WAM-845) |
Studio activity: A
cartoon depicting a current ecological problem: Using fine tipped markers,
and colored pencils or color markers, create a cartoon that satirizes (makes
fun of or mocks) a contemporary environmental problem. Choose from climate
change, rainforest depletion, frakking for natural gas, massive oil spills,
etc. Make sure to include text or dialogue that makes clear what the subject of
the cartoon is, and be sure to make it humorous rather than deadly serious.
Correlations to Davis
programs: Explorations in Art Grade 1: 4.19; Explorations in Art Grade 6:
3.14; Exploring Visual Design: 1; The Visual Experience: 9.4





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